War in the Movies: Air Force 1943

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Review of Air Force (1943)

I have always loved the film noir style. Dark shots, stark contrast of the light and shadow always added an ambience all its own to the film. Air Force is one of those films and for me the darkness of the movie typified the experience of being trapped in the out brake of World War Two in the Pacific and not knowing what was happening. As the film progresses more and more of the tragic scenes that were are all now so familiar with unfold before this group of men. Air Force is one of those movies that benefits substantially if it is watch in the middle of the night with a storm blowing outside. 

Yes, it is dated, and yes, it is hokey and that's why I love it so much. No one is winning an Oscar for acting in this film (although it did win one for editing) but Harry Carey turns in a wonderful performance as Robbie the grizzled old crew chief. The dark and brooding Joe Winocki played by another personal favorite John Garfield.

Introduction & Historical Context

Released in 1943, Air Force was one of Hollywood’s most notable propaganda films of World War II. Directed by Howard Hawks and written by Dudley Nichols, the film was produced at a time when the United States had recently entered the war following the attack on Pearl Harbor. The movie was designed not just as entertainment but as an inspiring war effort rallying cry, reinforcing the importance of American resilience and military might. Air Force follows the fictional crew of the B-17 Flying Fortress Mary Ann, chronicling their journey from the attack on Pearl Harbor through various Pacific battles.

Plot Summary

The film begins on December 6, 1941, as the crew of the Mary Ann, a B-17 bomber, is en route from California to Hickam Field in Hawaii. The next morning, they find themselves flying into the chaos of the surprise Japanese attack on Pearl Harbor. The squadron is forced to navigate through the devastation, refuel, and continue their mission to reinforce the American war effort.

As the story unfolds, the crew is thrust into successive battles, including the defense of Wake Island, and the Philippines. Each sequence builds tension, portraying the resilience and heroism of the U.S. Army Air Forces (USAAF) in the face of overwhelming odds. Along the way, they take on additional passengers, including a grieving widow and a wounded officer, adding emotional depth to the high-stakes action.

Character Development & Performances

The ensemble cast of Air Force delivers compelling performances, bringing their characters to life with distinct personalities and motivations.

• John Ridgely as Capt. Mike Quincannon, the steady and determined commander, embodies the ideal wartime leader, balancing authority with concern for his men.
• Gig Young plays co-pilot Bill Williams, a level-headed officer who provides stability in tense situations.
• Arthur Kennedy as radioman and gunner Peterson adds emotional weight to the film, particularly in his interactions.
• Charles Drake as navigator Monk Hauser represents the eager and inexperienced officer, learning firsthand the realities of war.
• Harry Carey as the seasoned veteran, Sgt. White, serves as the wise, fatherly figure within the crew, imparting hard-earned knowledge to the younger men.

Each character’s arc contributes to the film’s overarching themes of camaraderie, duty, and sacrifice. The actors bring an authenticity to their roles, making the audience feel as if they are truly part of the tight-knit Mary Ann crew.

Cinematography & Direction

Howard Hawks’ direction is masterful, blending thrilling aerial combat sequences with human drama. The cinematography by James Wong Howe is particularly effective, using a mix of close-ups and wide shots to heighten tension during action scenes. The film makes excellent use of model work and practical effects, creating convincing battle sequences that remain impressive even by modern standards.

Themes & Impact

Air Force serves as a powerful piece of wartime propaganda, reinforcing themes of duty, sacrifice, and resilience. It portrays the U.S. military as an unbreakable force, determined to fight back against Japanese aggression. The film does not shy away from depicting the brutality of war, but it does so with a sense of purpose, illustrating the necessity of American intervention and the heroism of its soldiers.

However, like many war films of its era, Air Force contains elements of racial stereotyping, particularly in its portrayal of the Japanese enemy. While this was common in wartime cinema, it can feel outdated by today’s standards. Despite this, the film remains a compelling historical artifact, reflecting the emotions and attitudes of the time.

Legacy & Reception

Upon its release, Air Force was both a critical and commercial success. It was praised for its "realistic" depiction of aerial combat, strong performances, and patriotic spirit. The film won an Academy Award for Best Film Editing and was nominated for Best Original Screenplay.

Over the years, Air Force has maintained a reputation as one of the finest aviation films of its era. It influenced later war movies, particularly those centered on air combat, such as Twelve O’Clock High (1949) and Memphis Belle (1990). For aviation and military history enthusiasts, it remains an essential viewing experience, capturing the spirit and challenges faced by American airmen in World War II.

Final Verdict

While undeniably a product of its time, Air Force remains an exhilarating war film with strong characters, gripping action, and a patriotic message. Howard Hawks’ direction and James Wong Howe’s cinematography elevate the film beyond standard propaganda, creating an emotionally engaging and visually striking experience. It serves as both a thrilling wartime adventure and a historical snapshot of America’s mindset during the early years of World War II.

Rating: 4.5/5